ISTORIA UNEI EXCEPȚII: TRILOGIA SACRĂ „COPILĂRIA LUI CRIST” DE HECTOR BERLIOZ
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Date
2013
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Abstract
Hector Berlioz has a special place in European music’s history. Each of his creations is
unique not only in the overall ensemble of his works but also in the history of those respective genres.
This study examines the Christ’s Childhood oratorio which stands out in the context of the works of
Berlioz for various reasons. Most critics have identified a twist of style: after the great Babylonian
constructions from Requiem and Te Deum, Berlioz created this small sacred trilogy in a style
intentionally archaic, simple and naïve. The premiere of the trilogy has been his only success among
the Parisian audience, reinforcing the notoriety Berlioz achieved abroad
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Keywords
Henric Berlioz, Copilăria lui Crist, muzică sacră
Citation
MELNIC, Victoria. Istoria unei excepții: Trilogia sacră „Copilăria lui Crist” de Hector Berlioz. In: RevArt. Timișoara, 2013, nr. 1 (15), pp. 5–19. ISSN 1841–1169.