ASPECTE ALE STILISTICII NEW ORLEANS ŞI CHICAGO DIN PERSPECTIVA CONTRABASULUI DE JAZZ
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Date
2023
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AMTAP
Abstract
Autorul îşi propune să contureze unele aspecte ale stilurilor de jazz New Orleans şi Chicago, să sublinieze importanţa factorilor etnici, geografici şi legali asupra apariţiei stilului New Orleans Jazz la începutul anilor 1900 şi dezvoltarea acestuia, ulterior, în Chicago Style în anii ’20 ai sec. XX. În mod special este remarcat factorul benefic predecesor al acestor stiluri — evoluţia orchestrelor stradale de fanfară (marching bands), spirituals, blues şi ragtime şi trăsăturile lor stilistice, — improvizaţia colectivă şi principiul responsorial (call-and-response), care au stat la baza muzicii jazz în general. În acest context, este menţionat rolul contrabasului în perioada studiată a jazzului clasic.
The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in general. In this context, mention is made of the role of the double bass in the examined period of classical jazz.
The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in general. In this context, mention is made of the role of the double bass in the examined period of classical jazz.
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Keywords
jazz, New Orleans Jazz, double bass, jazz Bass, contrabas, contrabasul de jazz, improvizaţie, call-and-response, Chicago Jazz Style
Citation
SOCICAN, Igor. Aspecte ale stilisticii New Orleans şi Chicago din perspectiva contrabasului de jazz. In: Învățământul artistic – dimensiuni culturale: conf. șt., 15 apr. 2022, Chişinău. Chișinău: Notograf Prim, 2022, pp. 30-36. ISBN 978-9975-84-176-4. DOI: 10.55383/iadc2022.05